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Henry Bumstead
Highest Rated: 96% Unforgiven (1992)
Lowest Rated: 17% Her Alibi (1989)
Birthday: Mar 17, 1915
Birthplace: Ontario, California, USA
Veteran production designer Henry Bumstead began designing film sets in collaboration with Hans Dreier with three features in 1948: "Saigon," "The Sainted Sisters" and "My Own True Love." They went on to work together on a half-dozen other feature, including "My Friend Irma" 1949 and its 1950 sequel "My Friend Irma Goes West." Bumstead was then teamed with Hal Pereira and that collaboration yielded some 20 features. Perhaps the best-known of their joint efforts were two classic Hitchcock thrillers "The Man Who Knew Too Much" (1956), with its French Morocco milieu, and "Vertigo" (1958), which brought them an Academy Award nod for their San Franciscan settings. (Bumstead later worked with Hitchcock on "Topaz" 1969 and "The Family Plot" 1976.)
Filmography
Movies
| Credit | |||||
|---|---|---|---|---|---|
| 91% | 86% | Letters From Iwo Jima | Production Design | $13.8M | 2006 |
| 76% | 69% | Flags of Our Fathers | Production Design | $33.6M | 2006 |
| 90% | 90% | Million Dollar Baby | Production Design | $100.4M | 2004 |
| 89% | 89% | Mystic River | Production Design | $90.1M | 2003 |
| 52% | 40% | Blood Work | Production Design | - | 2002 |
| 78% | 53% | Space Cowboys | Production Design | $90.4M | 2000 |
| 32% | 27% | Home Alone 3 | Production Design | $30.7M | 1997 |
| 50% | 65% | Midnight in the Garden of Good and Evil | Production Design | $25.1M | 1997 |
| 78% | 84% | A Perfect World | Production Design | $29.7M | 1993 |
| 96% | 93% | Unforgiven | Production Design | $100.0M | 1992 |
| 75% | 77% | Cape Fear | Production Design | $76.4M | 1991 |
| 17% | 44% | Her Alibi | Production Design | $17.2M | 1989 |
| 64% | 51% | Funny Farm | Production Design | $25.3M | 1988 |
| No Score Yet | No Score Yet | A Time of Destiny | Production Design | $886.6K | 1988 |
| 30% | 37% | Harry and Son | Production Design | - | 1984 |
| 71% | 78% | The World According to Garp | Production Design | - | 1982 |
| 25% | 43% | Smokey and the Bandit II | Production Design | - | 1980 |
| 40% | 85% | Same Time, Next Year | Production Design | - | 1978 |
| 58% | 74% | The Front Page | Art Director | - | 1974 |
| 82% | 68% | Slaughterhouse Five | Production Design | - | 1972 |
| 40% | 46% | The Secret War of Harry Frigg | Art Director | - | 1968 |
| 80% | 86% | Father Goose | Art Director | - | 1964 |
| 93% | 93% | To Kill a Mockingbird | Art Director | - | 1962 |
| 86% | 78% | Come September | Art Director | - | 1961 |
| 73% | 68% | The Bellboy | Art Director | - | 1960 |
| 50% | 65% | Cinderfella | Art Director | - | 1960 |
| 92% | 93% | Vertigo | Art Director | $1.8M | 1958 |
| 88% | 84% | The Man Who Knew Too Much | Art Director | - | 1956 |
| No Score Yet | 54% | Jumping Jacks | Art Director | - | 1952 |
| No Score Yet | 68% | Sailor Beware | Art Director | - | 1952 |
| 78% | 81% | Come Back, Little Sheba | Art Director | - | 1952 |
| No Score Yet | No Score Yet | Aaron Slick From Punkin Crick | Art Director | - | 1952 |
| No Score Yet | 40% | My Friend Irma Goes West | Art Director | - | 1950 |
| 92% | 80% | The Furies | Art Director | - | 1950 |
| 57% | 76% | Streets of Laredo | Art Director | - | 1949 |
| No Score Yet | 65% | My Friend Irma | Art Director | - | 1949 |
| No Score Yet | No Score Yet | Saigon | Art Director | - | 1948 |